Spring in a Small Town

Fei Mu’s newly restored 1948 masterpiece, a piercingly poignant study of adulterous desire, was once voted the greatest Chinese film ever made.

Regarded as the finest work from the first great era of Chinese filmmaking, Fei Mu’s quiet, piercingly poignant study of adulterous desire and guilt-ridden despair – now restored – is a remarkable rediscovery. After eight years of marriage to Liyan – once rich but now sickly and almost suicidally apathetic following a long, ruinous war – Yuwen does little except deliver his daily medication. A surprise visit from Liyan’s friend Zhang re-energises the household, but also stirs up dangerously suppressed longings and resentments to the fore.

Fei Mu’s deft use of locations, dissolves and camera movements makes for a fraught, febrile mood of hesitant passion, entrapment and ennui; sophisticated cinematically and psychologically, the film eschews sentimentality for something far more beguiling.