Congregation at Preston Parish Church (c.1901)

Preston's great and good gather outside the magnificent St. John's church.

In contrast to many Mitchell and Kenyon films, where the camera is positioned at ground level as close to its subject as possible, the operator has carefully chosen a raised vantage point where his presence would be less obtrusive. Could this be a mark of respect to those attending a religious service? Or does it reflect the filmmakers' fear of upsetting the visibly wealthy congregation?